Materials: Island game, a computer simulation of a robot, called James, - endowed with several needs e. The "island" contains numerous locations with different objects that can be manipulated in various ways. Manipulations of the objects can have effects on the robot e. Subjects have to control the robot and satisfy his existential needs. Moreover, they have to collect energy-rich-lumps of rock called 'Nucleotides'. Experimental Design and Procedure: At the beginning of the experiment, participants were informed that they took part in a problem-solving experiment.
Before beginning the first session, standard instructions for the task were given using Power Point presentation that explained the basic rules of the game and the tasks, namely, to keep the robot alive e. During these periods and all experimental conditions, subjects were allowed to think and speak freely. Results of the experiment: The experiment show that there are no differences between the results of the participants of group A and the results of the participants of group B with respect to the eight dependent variables and the fact that the participants had played the game using different strategies.
Therefore, we can assume that in this case the type of environment, whether poor or rich, does not play an important role. Most important is the way the strategy the available resources are managed by the actors. We have found these playing strategies: The Nucleotides-First-Strategy: Nucleotides are considered as a main motive and the existential needs of the robot are ignored. Survival-strategy: Existential needs of the robot are considered as a main motive and nucleotides are ignored. In other words, some participants were capable of achieving both tasks saving the robot from breakdowns and collecting nucleotides by considering all goals of existential needs together with nucleotides.
Stereotype-strategy: All goals of the different motives are included and are accompanied by a low selection threshold. Simulation: We proposed that the PSI-program and of course the theory behind the program had motives, emotions and cognitive processes similar to those which human participants had in the experiment. Therefore, we set PSI-parameters in way that could simulate and produce the same strategies the subjects used in the experiment. The program was run with varying chance values within the specific range of all parameters. Simulation time had been varied because we discovered that the subjects had different playing-speeds.
Results of the simulation: The PSI model can produce the same strategies that the subjects had used during playing the Island game.
There are highly significant correlations between PSI's behavioral parameters and the subjects' means for all parameter sets. Moreover, qualitative analyses of the two single cases indicated that PSI can also simulate single case strategies.
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Das Hauptergebnis besteht darin, dass das PSI- Modell nicht nur in der Lage ist, verschiedene Strategien zu simulieren, sondern auch Verhaltensweisen einzelner Versuchspersonen nachzubilden. The filmmakers and critics talk about their own development, films which influenced their work, and the continuing controversies and alternative approaches in filmmaking. They take on their critics and their own previous positions with a clarity and forcefulness to be expected from some of the leading practitioners of their art. The interviews are introduced with a foreword by Roger Ebert, television commentator and critic for the Chicago Sun-Times.
Ebert discusses the relation of art and politics and some of the common perspectives which unite filmmakers of different cultures and of diverse artistic and political temperaments.
Among the subjects of these wide-ranging talks are: the choice between popular and experimental forms of narrative; the filmmaker's responsibility to society; blacks and women in the movies; the rise of third world filmmaking; Hollywood's left and progressives; the conditions of filmmaking in different societies; the challenges of independent production; different forms of censorship, from the U.
Seller Inventory AAJ One of the most celebrated figures of the New German Cinema, Hanna Schygulla acquired transnational stardom through her work with a range of directors in different national cinemas and languages. This absorbing study charts Schygulla's career and star persona from her early days as a member of Rainer Werner Fassbinder's experimental anti-teater group to her work with eminent European auteurs, including Jean-Luc Godard, Andrzej Wajda and, more recently, Fatih Akin.
It also discusses her reinvention as an acclaimed cabaret chanteuse. Unpicking the myth that Schygulla's star persona depended on her collaboration with Fassbinder, Ulrike Sieglohr examines how her versatile and idiosyncratic acting style developed throughout her career. With in-depth analysis of key films and their international receptions, Sieglohr foregrounds Schygulla's individual agency, resourcefulness and talent. Seller Inventory AAU From: thecatalogstarcom Ltd Westbury, United Kingdom. About this Item: Condition: Good. Gutes Ex. Sprache: Deutsch Gewicht in Gramm: Published by Seyyah Kitap, Istanbul About this Item: Seyyah Kitap, Istanbul, Kanimi satip yeni bir kamera aldim.
Premiere Stab u. Es geht schon wieder los G. Kampf wider die Dummheit Andrzej Szczypiorski. Lose beiliegen 2 Eintrittskarten u. Published by Neues Leben,, Berlin, About this Item: Neues Leben,, Berlin, ISBN: Keine. No jacket.
Besonders frisches Exemplar. Drucker beim Verlag Neues Leben in Berlin. Sprache: de. Die Reihe erschien durchgehend als Paperback im Format 13 x 20 cm ohne Schutzumschlag. Alle Ausgaben waren illustriert. Die Reihe erschien von bis und wurde dann aufgrund der Abwicklung des Verlags eingestellt. NK Seller Inventory VNL About this Item: Zu Nicolaus A. Published by Berlin: Alexander, About this Item: Berlin: Alexander, Condition: Wie neu. Tadellos, nahezu ohne Gebrauchsspuren.
Eureka von Nicolas Roeg, -- Zehn verlorene Jahre.
Je t'aime, je t'aime Ich liebe dich, ich liebe dich von Alain Resnais, -- Etwas ist schiefgegangen auf dem Weg. Was war die Nouvelle Vague? Viva David Hess! Ein Lob auf Peter Lohmeyer. Parallel hat er seine Arbeiten in seinen filmischen Vorlieben und Vorbildern gespiegelt und hat sich einen Horizont erschrieben, vor dem er seine eigenen Arbeiten verstanden wissen will.
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Zur Kritik des Romans. Zur Kritik des Dramas. Zur Kritik der Lyrik. Zur Kritik der Kritik. From: Elke Noce Villingen-schwenningen, Germany. Condition: Published by Neue Presse, Coburg, About this Item: Neue Presse, Coburg, , Zustand: gut Wiederaufnahme. Buch und Gesangstexte von L. Arthur Rose und Douglas Furber. Musik von Noel Gay. Inszenierung: Hartmut H.
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Musikalische Leitung: Manfred Knaak. Published by Berkeley University of California Press, Published by British Film Institute Galway, Ireland. About this Item: British Film Institute, A revealing insight into the star persona and career of Hanna Schygulla, the iconic actor of the New German Cinema - from her early days as a member of Rainer Werner Fassbinder's anti-teater group, to her work with European auteurs including Jean-Luc Godard, Andrzej Wajda and Fatih Akin, and her reinvention as an acclaimed cabaret chanteuse.
Series: Film Stars. Num Pages: pages, biography. Dimension: x x Weight in Grams: Seller Inventory V Published by British Film Institute. About this Item: British Film Institute. Books ship from the US and Ireland. Item added to your basket View basket. Proceed to Basket. View basket. Continue shopping.
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